Tuesday, May 21, 2013

General Zod means business


You've gotta hand it to Warner Brothers for their marketing of Man of Steel.  Since the release of the teaser trailer last July, they have engineered a slow, tantalizing build up, with each successive trailer and TV Ad revealing a little more of the feel and story of the film.  I suspect by the time Man of Steel hits theaters July 14, the anticipation will be at a fever pitch. And if the movie is good, I think it will absolutely blow away every other movie this year, and probably every other superhero movie, period.  It's a testament to the appeal and longevity of the character.  People, even those who don't follow the comics, love Superman and what he represents.

The teaser trailer was little more than a collection of images of Clark Kent growing up, with a fleeting sight of Superman streaking into the stratosphere.  The trailer released today...not so much.  Gone are the Terrence Malick-like visions of farms, small towns, butterflies and oceans.  Instead, we are assailed by action on a massive scale as General Zod and his fellow Kryptonian invaders lay siege to the planet in order to get their hands on Superman.  The whole thing just screams EPICness!  Of course, the downside to huge anticipation is huge expectations.  Man of Steel had best deliver.

Monday, April 29, 2013

Pacific Rim trailer


A movie that must have had 7-year olds as consultants, which means it will be better than most Hollywood films.

Monday, April 22, 2013

Star Wars Anime


More proof that nearly anyone with talent can do Star Wars better than George Lucas. I'm not a fan of anime, and I certainly didn't think I would want it anywhere near Star Wars, but I gotta admit, this is pretty darn cool.

Friday, April 19, 2013

Charlie Chaplin speech from 'The Great Dictator'


A pretty amazing speech from from a guy known almost exclusively for his silent films. The Great Dictator was Charlie Chaplin's first talking picture, and his most commercially successful.  I had never even heard of this movie until a few days ago, but now I'd like to see it.  The film was released in 1940 when the United States was still formally at peace with Germany.  The Great Dictator is a allegorical take on Hitler's Germany, in which Chaplin mocks and condemns Hitler, Nazism, Mussolini and fascism.

Chaplin, who was not a Jew, plays a Jewish barber who looks just like the dictator of Tomania, Adenoid Hynkel.  Near the end of the movie, there is a mix up in which Hynkel is mistaken for the barber and arrested.  Consequently, the barber is forced to assume the identity of Hynkel.  He is taken to the capital where he must give a speech. His lieutenant Garbitsch, while introducing him to the crowd, decries free speech and calls for subjugation of the Jews.  The Barber gets up and delivers a stirring speech, calling for humanity to break free from dictatorships and use science and progress to make the world better instead.  Chaplin starred, wrote, produced, scored, and directed The Great Dictator.  I don't much about Chaplin, but I like that he used his popularity and clout to make a film that addresses the greatest threat of his day.

(Full disclosure: I swiped most of this summary of the film from Wikipedia.)

Thursday, April 18, 2013

Paul Revere's Ride 2.0

The British Are Coming!


Paul Revere's Ride
by Henry Wadsworth Longfellow

Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm."

Then he said "Good-night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,
A line of black that bends and floats
On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.

You know the rest. In the books you have read
How the British Regulars fired and fled,
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.

Wednesday, April 17, 2013

New Lone Ranger trailer


It looks like they're gonna Bruckheimer the Lone Ranger, and I'm not sure if that's a good thing.

Tuesday, April 16, 2013

Man Of Steel trailer #3


The third and probably final Man of Steel trailer premiered tonight.  As an unabashed fan of the character, it's difficult not to be encouraged by the glimpses of the film so far.  It looks every bit as epic any superhero film to date. Leaving aside the special effects, the music, the casting, which all look fantastic, what heartens me most is that the film, based on what we've seen so far, seems to have a solid grasp on what Superman is all about.  And that must be the most important thing.

Like so many in my generation, my love of Superman was largely based on Richard Donner's 1978 film with Christopher Reeve.  The reason that film still stands atop the pantheon of superhero movie's for me is the film's faithfulness to the character and his mythology, while adding some of its own.  I've grown so tired in recent of years of all those people who think Superman is boring, a stooge, too powerful, too good, too square or whatever.  They can go back to playing with their Batman and Wolverine dolls.  Superman is a symbol for hope, compassion, selflessness, virtue, wholesomeness, decency, and the best of humanity.  And of course, truth, justice and the American way.  When Superman is done well, every other superhero, every other heroic character seems pale by comparison.

Of course, I have to remind myself that Zack Snyder is directing the film; a guy whose films, while visually stunning, have been less than dramatically compelling.  And while "getting" the character is the top priority, it's not enough.  Bryan Singer understood Superman, but he failed to bring the story out of the shadow of the Donner films, and opted for a slower paced, character driven film (I still liked it).  The only films that excited me as much or more than Superman Returns and this one, and whose release I anticipated more, were the Star Wars prequels.  But ever since George Lucas jammed his fist into my chest and ripped my heart out like Mola Ram, and threw it into a burning chasm of unfulfilled childhood dreams, I have been jaded and cynical about the possibility of a movie ever making me feel like I was 10 yrs old again.  Could Man Of Steel be the one?

Boy, I hope so.  But more importantly, I hope it makes kids today feel like I did when I first saw Superman on the big screen.

STAR TREK: INTO DARKNESS trailer #3


Ok, so I'm starting to get pumped about this one.